Indianapolis Museum of Art Collection

Art from across the globe from one of the 10 oldest general art museums in the United States

Choose a picture from our Indianapolis Museum of Art Collection for your Wall Art and Photo Gifts

11 items

Dream of Spring (Rêve de printemps)
Oil on canvas by William-Adolphe Bouguereau (French, 1825-1905)

Afternoon Tea 1910 by Richard Emile Miller
Women in a sunlit landscape framed by a large, vividly patterned Japanese parasol, exemplify Millers expressionist technique

House in Provence 1885, Paul Cezanne
A classic example of C├®zannes mature style, this landscape is set in the south ridge of Mont Sainte-Victoire, the artists favorite motif, near his home in southern France

View from the Window 1930 by Arthur Segal
In this painting Segal employs a pointillist technique to capture the quality of sunlight, stippling his canvas with tiny dots of pigment

Our Flag 1864, by Frederic Edwin Church
A symbolic image of America during the Civil War. The 31-star flag of the Union flutters amidst the smoke of battle as a symbol of Churchs belief in the eventual triumph of the Union

Afternoon - Yellow Room 1910 by Frederick Carl Frieseke
The colorful patterns and glowing sunshine are signature elements of Friesekes work. Look closely at the painting and you will see a ghostly image above the hand on the womans lap

Mushrooms on a Blue Background 1929
Marsden Hartley (American, 1877-1943). With its rapid brushwork and tilted perspective, this painting summons a strong sense of motion

Landscape near Arles 1888 by Paul Gauguin
This canvas was the first one Gauguin painted during the two months he spent in Provence with Vincent van Gogh in 1888. In his careful integration of the haystack and farm buildings

Vorhor, The Green Wave 1896 - 1897 by Georges Lacombe
Drawn into the narrow gap where the sea pounds the shore, the viewer senses an air of foreboding and a mystical element that binds Lacombe to the Symbolist movement

Girl Sweeping by William McGregor Paxton
Paxton uses diffused light to soften contours in a manner similar to Impressionism. His favourite subjects were female figures posed in elegant interiors

The Visitor 1916 by Katherine H. Wagenhals
This prim lady in a blue suit and rather assertive bonnet won Wagenhals the Art Association of Indianapolis Purchase Prize in 1916

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