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Choose a picture from our collection for your Wall Art and Photo Gifts
11 Items
Dream of Spring (Rêve de printemps)Oil on canvas by William-Adolphe Bouguereau (French, 1825-1905)
Afternoon Tea 1910 by Richard Emile MillerWomen in a sunlit landscape framed by a large, vividly patterned Japanese parasol, exemplify Millers expressionist technique
House in Provence 1885, Paul CezanneA classic example of C├®zannes mature style, this landscape is set in the south ridge of Mont Sainte-Victoire, the artists favorite motif, near his home in southern France
View from the Window 1930 by Arthur SegalIn this painting Segal employs a pointillist technique to capture the quality of sunlight, stippling his canvas with tiny dots of pigment
Our Flag 1864, by Frederic Edwin ChurchA symbolic image of America during the Civil War. The 31-star flag of the Union flutters amidst the smoke of battle as a symbol of Churchs belief in the eventual triumph of the Union
Afternoon - Yellow Room 1910 by Frederick Carl FriesekeThe colorful patterns and glowing sunshine are signature elements of Friesekes work. Look closely at the painting and you will see a ghostly image above the hand on the womans lap
Mushrooms on a Blue Background 1929Marsden Hartley (American, 1877-1943). With its rapid brushwork and tilted perspective, this painting summons a strong sense of motion
Landscape near Arles 1888 by Paul GauguinThis canvas was the first one Gauguin painted during the two months he spent in Provence with Vincent van Gogh in 1888. In his careful integration of the haystack and farm buildings
Vorhor, The Green Wave 1896 - 1897 by Georges LacombeDrawn into the narrow gap where the sea pounds the shore, the viewer senses an air of foreboding and a mystical element that binds Lacombe to the Symbolist movement
Girl Sweeping by William McGregor PaxtonPaxton uses diffused light to soften contours in a manner similar to Impressionism. His favourite subjects were female figures posed in elegant interiors
The Visitor 1916 by Katherine H. WagenhalsThis prim lady in a blue suit and rather assertive bonnet won Wagenhals the Art Association of Indianapolis Purchase Prize in 1916